VARIOUS PRESSES -- PATER, Walter. An Imaginary Portrait , [Oxford: H. Daniel, 1894]. 12°, full red morocco by Morley, Oxford, with gilt panelled spine, interlace pattern to covers, and gilt turn-ins, front pastedown with Pater's clipped signature laid down and ruled in gilt (front turn-in slightly discoloured), t.e.g., others uncut. NO. 124 OF 250 COPIES. PATER, Walter. Marius the Epicurean. With plates in dry-point by Thomas Mackenzie and an introductory essay by J. C. Squire , London: Macmillan, 1929. 2 volumes, 4°, 16 etched plates, original vellum-backed pattern boards. LIMITED TO 325 COPIES on hand-made paper. DOUGLAS, Norman. Capri. Materials for a description of the Island [ Lungarno Series No. 3 ], Florence: G. Orioli, 1930. 4°, plates (occasional thumb-soiling), later full green calf by the Farnborough Abbey bindery (slight inkstains and sunfading to spine) , t.e.g., others uncut. NO. 230 OF 525 COPIES signed by the author. With 9 other volumes, most in leather or vellum, including 2 other works by Pater, 2 by Douglas, and a folio edition on large paper of Ruskin's The Seven Lamps of Architecture (Orpington, 1880) in original boards, preserved in morocco-backed box. (14)
VARIOUS PRESSES -- PATER, Walter. An Imaginary Portrait , [Oxford: H. Daniel, 1894]. 12°, full red morocco by Morley, Oxford, with gilt panelled spine, interlace pattern to covers, and gilt turn-ins, front pastedown with Pater's clipped signature laid down and ruled in gilt (front turn-in slightly discoloured), t.e.g., others uncut. NO. 124 OF 250 COPIES. PATER, Walter. Marius the Epicurean. With plates in dry-point by Thomas Mackenzie and an introductory essay by J. C. Squire , London: Macmillan, 1929. 2 volumes, 4°, 16 etched plates, original vellum-backed pattern boards. LIMITED TO 325 COPIES on hand-made paper. DOUGLAS, Norman. Capri. Materials for a description of the Island [ Lungarno Series No. 3 ], Florence: G. Orioli, 1930. 4°, plates (occasional thumb-soiling), later full green calf by the Farnborough Abbey bindery (slight inkstains and sunfading to spine) , t.e.g., others uncut. NO. 230 OF 525 COPIES signed by the author. With 9 other volumes, most in leather or vellum, including 2 other works by Pater, 2 by Douglas, and a folio edition on large paper of Ruskin's The Seven Lamps of Architecture (Orpington, 1880) in original boards, preserved in morocco-backed box. (14)
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