VASUDHARA MANDALA, BY JASARAJA JIRILA, NEPAL, DATED 1365 Distemper on cloth; with the six-armed goddess seated in lalitasana on a lotus at the centre of the mandala palace, holding a bound volume of the prajnaparamitasutra, a sheaf of grain and a kalasha in her left hands, her right with bountiful gestures and one supporting a triratna emblem, a tall torana arch rising behind with vyala at either side supported by hamsa, two makara above emerging from swirling waters with the snake-tails of naga appearing from the mouth of the kirtimukha mask at the apex, all supported by a lion throne within a cusped niche strewn with gold, gems, caskets and jewelled emblems poured from sacks held by corpulent attendants above, with seated bodhisattvas to either side of Vasudhara, Avalokiteshvara to her right and Vajrapani to her left, the central shrine bordered on four sides by registers of deities together with vases of abundance and gems on red, green, blue and white scrollwork grounds, with an outer concentric register of deities and kalasha vases and attendants bearing sacks of gems, all on a red scrollwork ground leading to the four elaborate palace gates beneath vajra-form arches, the palace set in midnight blue space contained within a circular multicoloured lotus and flame border, with cusped arches surmounted by stupas at the outer corners housing shrines to the four-armed Prajnaparamita upper left and multi-armed Pancha Raksha goddesses with kneeling adorants and auspicious emblems, and with a final concentric register depicting scenes from the Suchandra avadana on three sides, and episodes from the life of the Buddha below including the miraculous birth, the disturbance of the Buddha's meditation by cowherds, the worship of the Buddha by monkeys, the subjugation of the rogue elephant Nalagiri, the assault of Mara, the first teaching, the miracle of multiplication at Srivasti, the audience with the Hindu gods Indra, Shiva, Brahma and Vishnu, and the Parinirvana, the uppermost register with Maitreya at the left, Shadakshari, Vairochana, Akshobya, Ratnasambhava, Amitabha, Amoghasiddhi, Avalokiteshvara, and Manjushri to the right, and the lower register depicting scenes of ritual and dance to music, with the donor family depicted to the right beneath a two-line Newari inscription. 104 by 86.4cm. (41 by 34in.)
VASUDHARA MANDALA, BY JASARAJA JIRILA, NEPAL, DATED 1365 Distemper on cloth; with the six-armed goddess seated in lalitasana on a lotus at the centre of the mandala palace, holding a bound volume of the prajnaparamitasutra, a sheaf of grain and a kalasha in her left hands, her right with bountiful gestures and one supporting a triratna emblem, a tall torana arch rising behind with vyala at either side supported by hamsa, two makara above emerging from swirling waters with the snake-tails of naga appearing from the mouth of the kirtimukha mask at the apex, all supported by a lion throne within a cusped niche strewn with gold, gems, caskets and jewelled emblems poured from sacks held by corpulent attendants above, with seated bodhisattvas to either side of Vasudhara, Avalokiteshvara to her right and Vajrapani to her left, the central shrine bordered on four sides by registers of deities together with vases of abundance and gems on red, green, blue and white scrollwork grounds, with an outer concentric register of deities and kalasha vases and attendants bearing sacks of gems, all on a red scrollwork ground leading to the four elaborate palace gates beneath vajra-form arches, the palace set in midnight blue space contained within a circular multicoloured lotus and flame border, with cusped arches surmounted by stupas at the outer corners housing shrines to the four-armed Prajnaparamita upper left and multi-armed Pancha Raksha goddesses with kneeling adorants and auspicious emblems, and with a final concentric register depicting scenes from the Suchandra avadana on three sides, and episodes from the life of the Buddha below including the miraculous birth, the disturbance of the Buddha's meditation by cowherds, the worship of the Buddha by monkeys, the subjugation of the rogue elephant Nalagiri, the assault of Mara, the first teaching, the miracle of multiplication at Srivasti, the audience with the Hindu gods Indra, Shiva, Brahma and Vishnu, and the Parinirvana, the uppermost register with Maitreya at the left, Shadakshari, Vairochana, Akshobya, Ratnasambhava, Amitabha, Amoghasiddhi, Avalokiteshvara, and Manjushri to the right, and the lower register depicting scenes of ritual and dance to music, with the donor family depicted to the right beneath a two-line Newari inscription. 104 by 86.4cm. (41 by 34in.)
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