WANG HUI (1632-1717)
WANG HUI (1632-1717) LANDSCAPE AFTER HUANGHE SHANQIAN HANDSCROLL, INK AND COLOUR ON PAPER 217 X 21 CM. (85 1/2 X 8 1/4 IN.) SIGNED BY THE ARTIST: HUI TWO SEALS OF THE ARTIST: WANG HUI ZHI YIN, SHI GU ZI TWO COLLECTORS' SEALS: ZU WENG SHEN DING, GU YUE BO DAO REN CHEN BO YA CHAN SIX COLOPHONS AT THE END OF THE HANDSCROLL, INCLUDING LIU YANCHONG (1809-AFTER 1847), DATED LAST MONTH, GUIMAO YEAR OF THE DAOGUANG ERA (1843); ZHANG BOYING, DATED AUTUMN, RENXU YEAR (1922); ZHANG SHIJUN, DATED AUTUMN, BINGZI YEAR (1936); ZHANG DAQIAN DATED TENTH MONTH, DINGCHOU YEAR (1937) TITLESLIP BY SHI ZHAI WITH TWO SEALS
WANG HUI (1632-1717)
WANG HUI (1632-1717) LANDSCAPE AFTER HUANGHE SHANQIAN HANDSCROLL, INK AND COLOUR ON PAPER 217 X 21 CM. (85 1/2 X 8 1/4 IN.) SIGNED BY THE ARTIST: HUI TWO SEALS OF THE ARTIST: WANG HUI ZHI YIN, SHI GU ZI TWO COLLECTORS' SEALS: ZU WENG SHEN DING, GU YUE BO DAO REN CHEN BO YA CHAN SIX COLOPHONS AT THE END OF THE HANDSCROLL, INCLUDING LIU YANCHONG (1809-AFTER 1847), DATED LAST MONTH, GUIMAO YEAR OF THE DAOGUANG ERA (1843); ZHANG BOYING, DATED AUTUMN, RENXU YEAR (1922); ZHANG SHIJUN, DATED AUTUMN, BINGZI YEAR (1936); ZHANG DAQIAN DATED TENTH MONTH, DINGCHOU YEAR (1937) TITLESLIP BY SHI ZHAI WITH TWO SEALS
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