Francesca Woodman Il guanto 1977-1978 Gelatin silver print. Image: 8.1 x 8.1 cm (3 1/4 x 3 1/4 in.) Sheet: 17.6 x 23.8 cm (6 7/8 x 9 3/8 in.)
Provenance Acquired directly from the artist Private Collection, Europe Exhibited Immagini, Maldoror bookshop, Via di Parione, Rome, 20-30 March 1978 Literature G. Casetti, F. Stocchi, eds., Francesca Woodman Roma 1977-1981, exh. cat., AGMA Publishing, 2011, p. 26 Catalogue Essay Inspired by Max Klinger’s Ein Handschuh (A Glove), 1881, Francesca Woodman used the glove motif in various works Read More Artist Bio Francesca Woodman American • 1958 - 1981 During her brief 22 years, Francesca Woodman created an extraordinary body of work, exploring gender, selfhood and the body in relation to its surroundings. Woodman often experimented with a slow shutter speed, which slightly blurred and distorted her body as it moved throughout the exposure, creating a haunting, almost ghost-like effect. Her ethereal presence draws our attention to traditional depictions of the body, forms of portraiture and self-portraiture, illuminating the desire for self-preservation against the passing of time. View More Works
Francesca Woodman Il guanto 1977-1978 Gelatin silver print. Image: 8.1 x 8.1 cm (3 1/4 x 3 1/4 in.) Sheet: 17.6 x 23.8 cm (6 7/8 x 9 3/8 in.)
Provenance Acquired directly from the artist Private Collection, Europe Exhibited Immagini, Maldoror bookshop, Via di Parione, Rome, 20-30 March 1978 Literature G. Casetti, F. Stocchi, eds., Francesca Woodman Roma 1977-1981, exh. cat., AGMA Publishing, 2011, p. 26 Catalogue Essay Inspired by Max Klinger’s Ein Handschuh (A Glove), 1881, Francesca Woodman used the glove motif in various works Read More Artist Bio Francesca Woodman American • 1958 - 1981 During her brief 22 years, Francesca Woodman created an extraordinary body of work, exploring gender, selfhood and the body in relation to its surroundings. Woodman often experimented with a slow shutter speed, which slightly blurred and distorted her body as it moved throughout the exposure, creating a haunting, almost ghost-like effect. Her ethereal presence draws our attention to traditional depictions of the body, forms of portraiture and self-portraiture, illuminating the desire for self-preservation against the passing of time. View More Works
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