Francesca Woodman Rome 1977-1978 Gelatin silver print, printed later. 4 1/2 x 4 1/2 in. (11.4 x 11.4 cm) Signed by George and Betty Woodman in pencil, numbered 3/40 in an unidentified hand in pencil and 'PE/FW' credit stamp on the verso.
Exhibited Francesca Woodman San Francisco Museum of Modern Art, 5 November 2011 - 20 February 2012; Solomon R. Guggenheim Museum, New York, 16 March - 15 June 2012 for both, another print exhibited Literature Phaidon, Francesca Woodman p. 158 San Francisco Museum of Modern Art, Francesca Woodman p. 98 and cat. 118 Artist Bio Francesca Woodman American • 1958 - 1981 During her brief 22 years, Francesca Woodman created an extraordinary body of work, exploring gender, selfhood and the body in relation to its surroundings. Woodman often experimented with a slow shutter speed, which slightly blurred and distorted her body as it moved throughout the exposure, creating a haunting, almost ghost-like effect. Her ethereal presence draws our attention to traditional depictions of the body, forms of portraiture and self-portraiture, illuminating the desire for self-preservation against the passing of time. View More Works
Francesca Woodman Rome 1977-1978 Gelatin silver print, printed later. 4 1/2 x 4 1/2 in. (11.4 x 11.4 cm) Signed by George and Betty Woodman in pencil, numbered 3/40 in an unidentified hand in pencil and 'PE/FW' credit stamp on the verso.
Exhibited Francesca Woodman San Francisco Museum of Modern Art, 5 November 2011 - 20 February 2012; Solomon R. Guggenheim Museum, New York, 16 March - 15 June 2012 for both, another print exhibited Literature Phaidon, Francesca Woodman p. 158 San Francisco Museum of Modern Art, Francesca Woodman p. 98 and cat. 118 Artist Bio Francesca Woodman American • 1958 - 1981 During her brief 22 years, Francesca Woodman created an extraordinary body of work, exploring gender, selfhood and the body in relation to its surroundings. Woodman often experimented with a slow shutter speed, which slightly blurred and distorted her body as it moved throughout the exposure, creating a haunting, almost ghost-like effect. Her ethereal presence draws our attention to traditional depictions of the body, forms of portraiture and self-portraiture, illuminating the desire for self-preservation against the passing of time. View More Works
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